![]() In an effort to resolve this mess and create one coherent set of rules – and aware that arch-rival Marvel was trouncing them in sales – DC came up with the 12-issue limited series, Crisis on Infinite Earths, which ran from 1985 to 1986 and resolved to tie-up all its main heroes into a single arc, rebooting them in a way newbies and seasoned comics aficionados could all understand. What was all that about? It was hard to say. One issue of The Flash, featuring a story called ‘The Flash of Two Worlds’, found Barry Allen, The Flash from the Sixties, teaming up with Jay Garrick, The Flash from the Forties. Anyone picking up a copy of Wonder Woman for the first time would have needed a volume of footnotes just to work out who was who and what was what. It was Batman: Year One put them on that journey.ĭC had tangled itself in knots with its multiple timelines and multiple versions of the same charactersīack in pre-blockbuster 1985 though, DC had tangled itself in knots with its multiple timelines and multiple versions of the same characters. Year One was written by Frank Miller and illustrated by David Mazzucchelli and is today regarded as one of the finest works in comic book history – noted for its unusual noir tone, street-level violence and a more realistic take on how multimillionaire orphan Bruce Wayne chose to put on tights and a cowl and became Batman.īoth Miller and Mazzucchelli have gone on to become revered characters in the comics industry, winning multiple awards and inspirin fanboy devotion. It was a tale that had been told many times throughout the character’s 48-year history, sometimes with slight factual tweaks, but always keeping the most salient details intact. The idea was to retell Batman’s origin story, how a young Bruce Wayne chose to become a crimefighter after seeing his parents gunned down on Gotham’s Crime Alley. Running across issues 404-407 it was titled Batman: Year One. In 1987, DC Comics, the publishers of Batman, released a four-issue story arc.
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